Притула Антон Дмитриевич Восточносирийская поэзия XIII–XVII веков: пути распространения и эволюции

brief description

Притула Антон Дмитриевич Восточносирийская поэзия XIIIXVII веков: пути распространения и эволюции

ОГЛАВЛЕНИЕ ДИССЕРТАЦИИ

доктор наук Притула Антон Дмитриевич

Contents

Introduction

General description

Research topic

Relevance of the dissertation

Originality of the research

Methodological basis

Goals and objectives of the study

Theses to be defended

Practical significance

Approbation

History of research

Structure

Chapter 1. The Warda Hymnological Collection

1.1. The Warda collection: the state of research and main publications

1.1.1. General overview of the collection

1.1.2. Publications of the hymns from the Warda collection

1.1.3. Studies on the Warda hymnological collection

1.2. Manuscripts of the Warda Hymnological Collection

1.2.1. Extant manuscripts

1.2.2. Full recension of the Warda collection

1.2.3. Short recension of the Warda collection

1.2.4. Various manuscripts containing hymns ascribed to Warda

1.2.5. The Gazza book and the hymns of the Warda collection

1.3. Onyatha from the collection: poetical peculiarities and liturgical context

1.3.1. Liturgical context and the question of the collection's origin

1.3.2. Cycle of the Rogation of the Ninevites

1.3.3. Authors of the onyatha from the Warda collection and the problem of datings

1.3.4. Echoi and metres

1.3.5. Alternations within the seven-syllable metre

1.3.6. Conclusions of the hymns: author, performer, assembly

1.3.7. Rhyme in the onyatha

1.3.8. Mention of the genre names in hymns

1.3.9. Giwargis Warda: the question of authorship and attribution

1.3.10. Imagery

1.4. Hymns of the Warda collection and the Syriac literary tradition

1.4.1. Onyatha and apocrypha

1.4.1.1. Hymn on the Childhood of Christ

1.4.1.2. Hymn mentioning the names of the Magi

1.4.1.3. Biographical data on the Apostles

1.4.1.4. Legends on John the Baptist in the hymn

1.4.2. Hymns of the Warda collection and Narsai's homilies

1.4.2.1. Hymns on Jonah's mission

1.4.2.2. Hymns and homilies on various calamities

1.4.2.3. Hymn and the homily on the Holy Cross

1.4.2.4. The onitha genre and homilies

1.4.3. Onyatha and historical events: a hymn on Tiflis

1.4.3.1. General composition of the hymn and its place in the text collection

1.4.3.2. The historical context of the hymn

1.4.3.3. An epic aspect of the hymn: transformation of the Muslims into Magians

Chapter 2. Khamis bar Qardahe and East Syriac Poetry of the Ilkhanid Period

2.1. Syriac Poetry of the Ilkhanid Time (late 13th - early 14th centuries): the Birth of the New Style

2.2. Book of Khamis - a Syriac Persionate divan

2.2.1 Khamis bar Qardahe, an East Syriac poet-experimenter: reconsidering traditional poetry forms

2.2.2. Wine poetry

2.2.2.1. Soghitha composed for the Mongol court

2.2.2.2. Soghitha about a spring banquet outdoors

2.2.3. Odes in honor of Bar 'Ebroyo

2.2.3.1. Ode in honor of Bar 'Ebroyo with two acrostics

2.2.3.2. Ode mentioning Bar 'Ebroyo and his brother ("the two Grigorius")

2.2.4. Poem on ringdove: reconsideration of traditional dialogue poetry

2.2.5. Syro-Turkic poem on Divine economy ascribed to Khamis

2.2.5.1. Turkish Garshuni: general overview

2.2.5.2. Syro-Turkic poem: history of the study

2.2.5.3. Poetic features of the Syro-Turkic poem

2.3. Conclusions

Chapter 3. £Abdiso£ of Gazarta and the Development of East Syriac Poetry in the Ottoman Period

3.1. The emergence of the Chaldean tradition: a general overview

3.1.1. Chaldean Church and its manuscript collections

3.1.2. 'Abdiso' of Gazarta, the founder of the Chaldean Church literary tradition: General characteristic of the poetic heritage and the questions of biography

3.2. Manuscripts written by Abdiso' of Gazarta and biographic information they contain

3.2.1. General overview of manuscripts written by 'Abdiso' of Gazarta

3.2.2. Manuscript SMMJ 00116 written by 'Abdiso' Gazarta, and the biographic information it contains

3.2.3. Manuscript DCA 00065 of Metrical Grammar written by 'Abdiso' of Gazarta

3.2.4. Manuscript of Metrical Grammar (CCM 00024) copied by 'Attaya from the Vorlage by 'Abdiso' of Gazarta

3.2.5. Bilingual (Syriac and Arabic) manuscript SMMJ

3.3. Poems by Abdiso' of Gazarta: Literary features and historical context

3.3.1. Poems dedicated to popes of Rome

3.3.1.1. Ode in honor of Pope Paul IV

3.3.1.2. Short poems on popes

3.3.2. Poems by 'Abdiso' on the contemporary poets: Gazarta literary circle

3.3.2.1. Monastic poetry collection (CCM 00398): general characteristic and significance

3.3.2.2. Darwis of Gazarta: priest, poet, scribe - and 'Abdiso's uncle?

3.3.2.3. Abraham of Beth Slokh (Slokhaya) - monastic poet and 'Abdiso's spiritual teacher

3.4. Poems written in Abdiso's hand in short poetic text collections

3.4.1. Poems on reading, writing and studying grammar

3.4.1.1. General overview of the short poems in the manuscript of the Metrical Grammar (DCA 00065)

3.4.1.2. Block A: poems on reading and scribing books

3.4.1.3. Block B: poems ascribed to Bar 'Ebroyo

3.4.2. Poem on exile by 'Abdiso' of Gazarta

3.5. Conclusions

Chapter 4. Poetry as a Part of East Syriac Manuscript Design and Usage in the Ottoman Time

4.1. Scribal poetry in the East Syriac tradition: a general overview

4.1.1. Scribal poetry: the problem of origin and general typology

4.1.2 Individual poetic tastes of the scribes

4.1.3. Poetry and pilgrimage in the Ottoman time

4.2. Poetry incorporated in paratextual manuscript parts

4.2.1. Verse colophons

4.2.2. Quatrains incorporated in colophons

4.2.3. Verse scribal introductions

4.2.4. The five twins: rendering scribal rhetoric in verse

4.2.4.1. General overview

4.2.4.2. Prose versions of the passage

4.2.4.3. Poetic versions of the passage

4.2.5. Verse curses addressed to manuscript thieves

4.3. Poetry embedded in the East Syriac manuscript decoration

4.3.1. General overview and methodological features of the study

4.3.2. Poems embedded in decorative compositions in the 16th century: Gospel lectionaries written by 'Attaya

4.3.3. Textual variation in 'Attaya's "decorative" poems

4.3.4. Problems of authorship, origin and evolution

4.3.5. Further development of "decorative" poetry in the 17th—18th centuries

4.3.5.1. Evolution of "decorative" poetry in the Gospel lectionaries

4.3.5.2. Manuscript of the Gazza (QACCT 00035) with "decorative" poetry

4.3.5.3. Poetry in the decorative borders of the Hudra manuscripts

4.4. Poetry as a reflection of ^urch community life: poetic notes written by readers, manuscript donators and pilgrims

4.4.1. Pilgrim poems by 'Abdiso' of Athel: Jerusalem, 1644 CE

4.4.1.1. 'Abdiso', bishop of Athel - pilgrim and poet

4.4.1.2. Stanzas on exile (SMMJ 159)

4.4.2. Verse pilgrim note by Hermez and Talya of Hakhmiya:

Jerusalem, 1654/5 CE

4.4.3. Short poems by Talya of Qurana (?): Monastery of Jacob the Recluse

4.4.3.1. Priest Talya: biographic information based on poems and notes (DCA 00065)

4.4.3.2. A dormitory madrasa by Talya: the development of the form

in the Ottoman time

4.4.3.3. Quatrains by Talya: exploiting Syriac Renaissance multilingual

models for the Ottoman modernity

4.5. Conclusions

Conclusion