Логика и феноменология невизуальной репрезентации Мендес-Мартинес Хорхе Луис

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Мендес-Мартинес Хорхе Луис.
Логика и феноменология невизуальной репрезентации = Logic and Phenomenology of Non-Visual Representation : диссертация ... кандидата философских наук : 09.00.01 / Мендес-Мартинес Хорхе Луис; [Место защиты: ФГАОУ ВО «Национальный исследовательский университет «Высшая школа экономики»]. - Москва, 2021. - 252 с. : ил.
ОГЛАВЛЕНИЕ ДИССЕРТАЦИИкандидат наук Мендес-Мартинес Хорхе Луис
Table of Contents
Abstract
Introduction
Chapter 1, Questions, metaphilosophy and theory choice
§1. A web of questions
§2. Taxonomies in the philosophy of sound and auditory perception
§3. Relation to sources
§4. From scientific to philosophical claims
§5. Choosing an analogy
§6. Desiderata for the philosophy of sounds
Chapter 2, If sounds were properties, exploring PV
§1. Property underspecification
§2. Property View 1: Sounds as sensations
§2.1 Husserl's Analysis of the Inner Consciousness of time (Zeitbewusstseins)
§3. Property View 2, sounds as properties of the (sounding) objects
§3. 1 Sounds as dispositional properties
§4. Objections against Property views, known and new
Chapter 3, If sounds were events
§1. A category issue
§2. Ontology and semantics
§3. Reductionist strategies
§3.1 Object reductionism (and other relations between objects and events)
§3. 2 Property reductionism
§4. Sound individuation
§5. Pessimistic mereology
§6. Final assessment on EV
Chapter 4, Space, scepticism, phenomenology and logical representation
§1. Underspecification of space
§1.2 Sound topology, again
§2.1 Scepticism on sounds' spatiality, first part: P. F. Strawson 116 §2.2 Scepticism on sounds' spatiality, second part: Brian O'Shaughnessy
§2.3 Scepticism on sounds' spatiality, third part: Matthew Nudds
§2.4 Conclusion
§3. The logical representation of sound
§3.1. The casuistic approach: An optimistic mereology of sound
§3.2 A (formal) topology of sound
§4. The instrumental approach
§5. Conclusion: from physical space to logical space
Chapter 5, The Problem of Perception in the Philosophy of Sounds and Auditory
Experience
§1. The Scientific Picture II: The auditory system
§2. Objects and contents of auditory perception
§2.1 Audible features: loudness, pitch, and timbre
§2.2 Silence
§2.3 Echoes
§2.4 Locations and spaces
§2.5 Music
§2.6 Meanings
§2. 7 Gendered voices
§3. Illusions, hallucinations and inaccuracies in auditory perception
§4. Towards an epistemology of auditory perception
§4.1 What Yekaterina didn't know
Conclusions
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